On Sunday I attended a tour of the [very cool] National Museum of Health and Medicine, now located in Silver Spring, Maryland. NMNH is a Department of Defense museum first established in 1862 as the Army Medical Museum, “a center for the collection of specimens for research in military medicine and surgery.” And do they have specimens…
The tour was organized by the Washington, DC chapter of SEGD—formerly the Society for Environmental Graphic Design, now the Society for Experiential Graphic Design—and led by members of the museum’s staff and the design team from Gallagher & Associates.
It was a crowd in attendance so we were split into two groups. My group was led by graphic designer Liza Rao, who was responsible for the museum’s fantastic colors and typography, and Andrea Schierkolk, NMHM’s public programs manager. It was a treat to hear reflections from both sides; what they love and what they love less; things that work great and things that didn’t turn out as expected. It was also a treat to see some of my former workmates!
The museum is divided into three major exhibits: the purple “Collection That Teaches,” the turquoise “Anatomy and Pathology,” and the brick “Advances in Military Medicine.” Crisp white casework and glass shelves give the exhibit a “lab-like” look that I enjoyed, and its bold shots of color look great against the mostly tan, cream, and yellow objects on display; yes, most of those objects are corporeal remains. (This museum is not for the sensitive of stomach.)
While the exhibits were designed precisely for the objects on display, they are still changeable—graphics can be slid in and out as objects are rotated or stories are changed.
Thank you to our new DC SEGD chairs, Liza and Chris, for the great program—keep them coming, please!
On view now at the Smithsonian National Postal Museum: “New York City: A Portrait Through Stamp Art”
“New York City: A Portrait Through Stamp Art” opened—today!—at the Smithsonian’s National Postal Museum. I was delighted to design the temporary art exhibition, along with a postcard booklet (free for museum visitors to take with them), and a special postal cancellation (available in the museum’s post office).
The thirty pieces of original artwork on display are part of the Postmaster General’s [extensive] Art Collection, and are arranged in six categories: Baseball, Broadway, City Life, Icons, Politics, and Music. (Who knew there were so many New York City-themed stamps?) The artwork was selected to “celebrate important citizens, events and iconic buildings that have defined New York City as one of the greatest cities in the world.”
(photo credit: Fotobriceno)
(photo credit: Fotobriceno)
The exhibition will be on view through March 13, 2017. If you want the distinct pleasure of seeing TWO Christine Lefebvre Design[-ed] exhibits in one museum, “Freedom Just Around the Corner” is also on view at the National Postal Museum, but for only two more months—until February 15, 2016.
I was in Montréal for just shy a week and spent a few hours at the Biodôme—so much fun! I have plenty to share of the rest of the museum, but to dip my toes back into blogging after (ahem) plenty of time away, here are some photos of the temporary exhibit/art installation, “Calme Aimant (Lazy Love).”
Within the low, glass-walled enclosure, sloths slept inside their cocoon-like nests, hanging from artistic interpretations of trees—the trees were wrapped in braids and painted in monochrome—while a couple of tortoises relatively raced around. Sheer white fabric panels hung from the ceiling, and waved slightly as people passed beneath them.
The exhibit invited guests to have a seat and enjoy a few moments of quiet contemplation. A quiet soundscape played from speakers hidden within the sofas—the speakers are the balls with red felt flowers—and fabric books told the sloths’ story.
“Lazy Love” was our last stop at the Biodôme, and it was a lovely, relaxing, quiet moment to end on. I’m sorry to report though that the exhibit closed last week, so à plus tard, sloths.
Back in November I took a trip to Warren, Vermont for a shoot with photographer Michael Tallman at the Archie Bunker House. When you hear “Vermont” and “architecture,” I’m sure your thoughts don’t wander beyond red barns and white churches, but look up Prickly Mountain—the “anti-establishment utopia” of contemporary architecture. The Archie Bunker House is in that neighborhood of modernist homes, and really incredible. The shoot was a blast, and I promised Dave Sellers, the owner and designer of the house, that I would visit the Madsonian, his industrial design museum up the road.
I ran out of time during that trip in November, but a few weeks ago I made good on the promise, returned to Vermont and paid a visit to the Madsonian Museum of Industrial Design in Waitsfield. The temperature outside was somewhere between 0 and 5 degrees, and inside, the museum wasn’t much warmer, but still my friends and I had a great time touring the museum with Mr. Sellers himself as our tour guide.
The museum has an Industrial Designers “wall of fame,” an assortment of chair designs, vintage advertisements torn straight from magazines and pinned to the walls…
…an automatic pencil sharpener, Polaroid cameras, and many, many more examples of fascinating vintage and antique industrial design. Most everything on display had a personal story attached, such as this menu from the SS Normandie ocean liner. A couple donated it to the museum after their visit—they’d honeymooned on the ship in the 30s and kept the menu as a souvenir.
The layout of the exhibit was strictly utilitarian, with minimal to no explanatory text or graphics and the bones of the building which housed it on display. One bit of clever exhibitry I liked was the use of retractable extension cord reels for spot lighting. Need to move something around? Just screw in a new hook.
The Madsonian currently has an exhibition of classic toy designs, featuring model airplanes and trains (including the two biggest model trains built), an original Mr. Machine, and a toy cement mixer with which a kid could mix actual cement. Apparently the fatal flaw of the toy’s was user error—most surviving examples are welded inoperable by dried cement!
Here are some more photos of the reception for “Freedom Just Around the Corner: Black America from Civil War to Civil Rights” at the Smithsonian Postal Museum. Thanks to photographer Bruce Guthrie for sharing these photos!
A full write-up soon!
Quick check-in! The exhibition I designed for the Smithsonian’s National Postal Museum, “Freedom Just Around the Corner: Black America From Civil War to Civil Rights” opened yesterday!
Last night was the opening reception with expected fanfare, including ribbon cutting and speeches, cocktails and finger foods. It was all quite nice. I love when exhibits open!
Please excuse the crummy camera pics—full coverage of the exhibition will come soon!
Alongside the exhibition, I designed the catalogue, postcard takeaway, special postal cancel, and exterior banners. (As soon as I have pics I’ll post them!) I mentioned to the ladies at the USPS table—who were selling commemorative stamps and giving commemorative cancels, and who were so lovely—that I was the designer and I ended up signing some books. It was very sweet. :)
While scooting through downtown yesterday I saw these great big graphics on the side of the the DC Public Library on G Street. Good job on being eye catching. I like the red blocks—they make me think of classified documents and Sharpied memos.
As the graphics had so successfully caught my attention, I was saddened to learn that I have missed Banned Books Week 2014 (September 21–27) and all of its associated events. But I have enjoyed designing a little temporary exhibit in my mind…books to flip through, excerpts printed large (I imagine someone reading one and saying, “really?! Charlotte’s Web??”), discussion about First Amendment rights and censorship…. Yeah. Next year?